You've practiced, worked, and prepared your object for this big moment—now it's time to make it sparkle and shine for its front-page debut! In VG terms, this means playing with colors and adjusting light to really bring out the details.
Where There is Light, There is Also Shadow
Before we take a closer look at the data, let's try out a nifty new function of the software: ambient occlusion.
With version 3.5.1, ambient occlusion (AO) has finally made its way into VGSTUDIO MAX. In essence, AO is a shading technique that gives depth and realism to a 3D object. Now, corners, gaps, and grooves appear a bit darker than the rest, which mirrors depth in real life. In addition, objects cast a pleasantly soft, delicate shadow on their surroundings. The best part? It doesn't cost any extra rendering time!
Check it out for yourself! Without AO (left), there is mostly the same shade of gray, which makes it difficult to process the different parts. But with AO (right), the object has more depth, and shadows cast by individual parts make them much easier to recognize.
By the way, the light sources themselves don't need to cast a shadow. AO is simply overlaid on top of the rendering as an aftereffect.
Picking Pockets... Apart
A pocket watch is made of hundreds of tiny parts that make it exciting to pick apart—quite literally! Let's do just that.
A Bit of Tweaking
As they say, the devil is in the details, so let's make sure each part shows off its good side.
Material and Light
Render settings and lighting go hand in hand. For example, if an object is too dark, you can either increase the (ambient, diffuse, and specular) light emission in the object's material settings, or turn up the light. The effect is pretty much the same. The only difference is that the light also affects other objects, which may make them appear too bright. As such, let's start with the standard (material and light) settings and work our way from there to the desired result step by step.
We used these render settings for the metal of the pocket watch:
For the clockwork, we can use the same settings, but perhaps a little darker and less saturated.
The hands are a different story, as they contrast the clockwork sharply and are set to monochrome red and white.
In terms of lighting, let's give our watch a spotlight: there is a main light source diagonally from the upper left and, accordingly, a fill light diagonally from the right to soften the shadows.
Brushing up the Edges
If an object has a dark background (e.g., virtually in black space), it is important to brighten and emphasize the outer edges for a more natural, distinctive look. We can set a few edge lights slightly diagonally from behind. They accentuate the rounded edges of the case and visually separate the different depth layers.
See the difference?
Lights, Camera, Action!
Since this is a small object, the default 40° position may make the pocket watch look unintentionally large. We can fix this by increasing the distance to the object and choosing a smaller camera angle, like in a telephoto lens (e.g., 20°).
Post-Credits: Work Hard, Play Hard
And of course, the outtakes.
Did we miss anything? Or do you have an easier or more appealing way to create your images? Let us know!
Ready to Learn More?
Users of VGSTUDIO MAX can find out more about clipping tools, segmentation, and animation in the tutorials included in the software.
Got a Story?
If you have a VG Story to tell, let us know! Contact our Storyteller Team at: email@example.com. We look forward to hearing from you.